One of Time Magazine’s 100 Best Fantasy Books of All Time
“I have no doubt this will end up being the best fantasy debut of the year...I have absolutely no doubt that [Kuang’s] name will be up there with the likes of Robin Hobb and N.K. Jemisin.” -- Booknest
From #1 New York Times bestselling author of Babel and Yellowface, the brilliantly imaginative debut of R.F. Kuang: an epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. Jemisin’s Inheritance Trilogy.
When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be …
One of Time Magazine’s 100 Best Fantasy Books of All Time
“I have no doubt this will end up being the best fantasy debut of the year...I have absolutely no doubt that [Kuang’s] name will be up there with the likes of Robin Hobb and N.K. Jemisin.” -- Booknest
From #1 New York Times bestselling author of Babel and Yellowface, the brilliantly imaginative debut of R.F. Kuang: an epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. Jemisin’s Inheritance Trilogy.
When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising.
But surprises aren’t always good.
Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school.
For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . .
Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late.
This book is hard. Don't read it if you want some fun fantasy because it's very much so not that. I knew that going in because I read Wikipedia article (and I read Babel lol), but I still didn't expect it to be this heavy immediately.
The fact that the events in the book are based on things that actually happened is disheartening. Not because of the book, but because it's horrifying that people could commit such atrocities--n fact, they still do and it's never less horrifying.
Rin is a fool of a girl and the world is cruel. I'm frusrated and upset. I'm marveling at the nuance R.F. Kuang manages to convey. It's complicated.
Read up on Nanjing, read up on Unit 731. I don't think you can properly see this novel for what it is if you don't.
Engaging military fantasy grounded in Chinese history
4 stars
I enjoyed this book very much, both for its approach to fantasy through Chinese (rather than European) culture and for its basis in real-world history. The last third of this book is filled with the graphic horrors of fascists at war, so I wouldn't recommend this for young readers. (Thinking of my niece, who loves to read.) I particularly like the end of the book, because in the end our hero commits an act of fascist evil herself, and we are forced to think about things like the nature of justice, the cost of vengeance, and the dangers of power. Looking forward to jumping into The Dragon Republic!
